When Carole King's album from The City - Now That Everything's Been Said - went by the wayside with no attention, and Writer, her first solo album for the same label, Ode, followed suit despite the great re-make of "Up On The Roof". But when Tapestry was unleashed it was another story, the doppelganger of Lou Adler's other phenomenal smash, The Rocky Horror Picture Show film (DVD these days). The biggest marketing blunder in the history of folk/rock was not following up Carole's success with a re-release of "It Might As Well Rain Until September" and these terrific 50s / 60s gems, Lesley Gore look out. This album is terrific. "Breaking Up Is Hard To Do" is an immortal song by Neil Sedaka and this should've been the glorious cover to saturate radio - it and her #22 hit from September 22, 1962 - It Might As Well Rain Until September - are both worth the price of admission on their own. "Short Mort" is silly and sounds like a precursor (or sequel) to "Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini" by Brian Hyland. Songs like "Nobody's Perfect" are perfect and why we didn't hear them on Top 40 radio in the early 6os is truly the question, Carole King and Gerry Goffin were hardly unknowns and their mega track record should have had labels scouring the earth for these tapes. Listen to "Right Girl" which has all the seminal riffs of the time period, it hits them all and works in a way that albums subsequent to Tapestry just didn't even try to. |
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